Electric Smash, 2019

(1) Look straight down (Refresh perspective)

(2) Grab S.W.S (Situated near the floor)

(3) As hard as possible, smash it to the wall

S.W.S refers to the contents of a small ball-like projectile. While the hard, dried up slip takes a form of thin shell around the ball, a coat of wax covers the inner wall, making a barrier between the shell and water-based slime, which fills the ball. The words Slip, Wax, and Slime, like the sounding of S.W.S in the mouth, suggest certain gestures; and put together, they express embodied movements between the words as well as the inherent discrepancy in physicality of each elements.


S.W.S

2018

Slime, wax, slip, acrylic paint

Size variable

Electric Smash

2019

S.W.S., wood panel, Composite Method, LED lamp

Size variable

Objects

2018

Plaster, acrylic, watercolour, lacquer

Size variable

Untitled

2018

Plaster, aluminum, clay, wax, acrylic, resin, plastics

5.5 x 6.2 x 14cm

Between Fish and Us

2019

Oil pastel, acrylic on wood panel

33.2 x 24cm

시간방울 (Time-bubble)

2019

Paint, gesso, newspaper on wood panel

24 x 24cm

시간방울 ( back)

Large Chair

2019

Wood panel, stainless-steel fixtures, white paint, glue, newspaper, headphones, field recordings (Drawing Noise_Seoul, 2016)

Size variable


Link to field recordings (Drawing Noise_Seoul, 2016): https://jiiehghur.bandcamp.com/album/drawing-noise-seoul-2016